limited remastered reissue of >the disco scene<, a superb disco obscurity from chicagos lake shore drive. a highly sought-after 12 inch amongst collectors, the 1978 original changes hands for silly money and deservedly so. a big baldelli fave, this super-rare release on small but respected label magic touch (check the fantastic label artwork!) delivers a hefty dose of proper old-school disco funk powered by some seriously heavy drums and bass layered with cool synths, punching horns and heavenly disco-diva vocals. with the great in-demand instrumental on the flip, this is a sure-fire party starter essential for all disco lovers.

the chant: galloping monster with a cheeky bounce thats made all the more mega with the vocal energy.plz dont squeeze: pressurised squashed sound snippets tousle across the beats leaving the synths to breathe and soar. let this untamed tune free to expand across the club systems – and what ever you do, plz dont squeeze.nebulae: dream away on this interstellar cloud of soft vocals and floating grooves that moves you progressively towards dance heaven.

while his debut album by your sides release was announced for september the 17th, breakbot introduces the fruity one out of two featuring the faithful vocal performer, irfane, embellished with remixes from dj sneak, oliver and get a room! the french tv show, le grand journal, selected this track as the sound signature for the cannes festival. the vinyl includes also program, a tiny biscuit sound, unveiled online on the occasion of his first live performance at the coachella festival. breakbots shiny funky pop will rock 2012s summer, waiting for the album and next live shows in festivals (calvi, dour, les vieilles charues, we love green).
code for mp3 download of the full release included.

dvs hits the psyche/kraut rock bullseye with >only love<. ably assisted by thomas bullock, this compellingly motorik, spaced out song punctuated by heavily effected blasts of guitar, sounds like a lost classic. the b side features mix 2, a beatless version that lays the vocal and guitar elements bare. superb.

dap, also known as daniel poli, andrea mazzini and philippos nikiforakis, mans the controls for this impressive tech house ep, > brush your lips< - two cuts of irresistibly groovy, no-nonsense, stripped back house, featuring lance de sardi on vocal duty for the title track.

mario basanov, the lithuanian super producer is coming back for more and for showing the other side of his multifaceted musical persona. best known for catchy hooks, pop melodies and vocal productions, mario delivers here two slow burners in form of closer and something about. darker and deeper than one might expect mario basanov is at his best here. on remix duties are two fellows from the other side of mario’s studio wall - a dynamic duo of saulty and bradka better known as downtown party network. the combo pitched up the tempo, beefed up the groove, and even added some euphoric stabs and strings for enhanced dance floor usability of the title track. best kept secret - hidden sounds of vilnius house scene uncovered & presented by vidis. vital sales points: - a follow up to massive we are child of love single on needwant - releases on silence music, future classic, needwant - remixes for metronomy, crazy p, robert owens

adriatique is back with their second release on diynamic. again the two talented producers from switzerland created a really impressive ep that seems to fit just perfect for the upcoming summer! the opening track,deeper love, really sets the direction of the whole ep and will make you fall in love with it! a really nice and warm synthesizer combined with that catchy deeper love vocal and a funky picked guitar makes this tune unique. the second track by your side first of all persuades with that coltish sequenzer baseline. after the first break the tune unfolds its whole power. its again the nice combination of a deep, down pitched vocal, funky bended chords and a great synthie line that works just excellent together. a great one for the dancefloor! with motions, the third and title track of the new ep, adriatique deliver another harmonic tune that goes under the skin. its the slowest track on the ep. massive bass tones, groovy shuffled hihats and a deep, repetetive vocal loop result in a wonderful, warm track. the fourth and last track body moving brings the ep to an good end. with a nice vocoder voice the tune gets a touch of the 80s sound. and again a bouncy baseline delivers this special groove and guarantees to shake the floor.

limited to 200 copies worldwide! two debuts in one record!musicistheanswer (a sublabel of beatwax records) introduces itself as a house music label. then we have the vinyl debut for lars of italy (he is the half of le french brasserie (viva music, material series) who presents four house tracks.

the box series returns on theory with 3 peak time tough edged tracks that have been gaining plenty of attention at clubs and festivals over the past year. >bite this< sees ben sims drop an anthemic analogue fuelled jacker. >reverse processed< from hollands ritzi lee is an uncompromising old school techno banger. and >dry run< by paul mac is a drum heavy dj tool with a crowd pleasing vocal sample. 3 no nonsense cuts for your box, enjoy!
early dj support from ben sims, dave clarke, luke slater and dvs1.

morgan geists project storm queen marks a return to his roots with an analog approach towards modern house music with a disco pedigree. >lets make mistakes< once again features the vocal talents of damon c. scott. storm queens debut of 2010, >look right through<, became an underground hit and was reissued as a remix package by defected records. 2011s >it goes on< nearly outstripped storm queens debut in popularity and was featured in countless radio and club dj sets and charts. >lets make mistakes< extends the storm queen continuum at 117 bpm, slowing down and emptying out to form a sinewy, building sound sculpture with a pop song nestled at its core. storm queen physical releases will be limited-edition 12 inches only. storm queen is made for djs, but doesnt sacrifice atmosphere and songwriting. storm queen owes a debt to classic house music from new york, chicago and detroit, as well as disco and boogie. s t o r m q u e e n i s a l e a p o f f a i t h .

arriving at their fourth release, emotional rescues knowledge of forgotten musical gems and their commitment to give them the chance of wider appreciation they fully deserve cannot be in question! after digging out that bob chance classic, the focus switches to something of an equally balearic nature with the release of jaki whitren & john cartwrights lost folk rock album international times. originally released as a private press on the obscure french label living records back in 1983, this eight track album is filled with dusty soul nuggets which are given extra life by the silky vocal stylings of whitren - formerly a backing singer for alan parson. opening track >stay cool< sounds quite ahead of its time, whilst there are some true dancefloor gems for the more adventurous djs out there, such as the title track and the laid back bump of >go with the flow<.
comes on heavyweight 180 gram vinyl.

2012 sees detroit label, kms records, celebrating its 25th anniversary. vinyl part 3 of 6

finnish dj crew rollomatik break out on the boogie boutique imprint with a two track release that aims to represent the arctic circle fully in the nu funk/breakbeat scene. formed of hesh & eaves, rollomatik aim to rock the party and that much is evident on this cheeky 12 inch with >we love to party< deftly blending will smith with chic amidst a melange of other recognisable samples. a similar approach runs through flipside jam >the greatest< as rollomatik lay down the vocal from an oft used q-tip solo joint over a heavily filtered take on sister sledges most ubiquitous track.

with material from hyetal, bashmore, headhunter, joker and more in their discography, soul motive have established a reputation for seeking out the various strands of music blossoming both close by their bristol hq and far (cosmin trg has also featured on the label) arriving at their eleventh release soul motive further indulge the sounds of local talent coleco, a producer who contributed to one of the labels early, split releases and is now granted the full grip of a twelve inch. lead track >hypnagogia< takes its cue from the loose percussive style of shackleton, gradually weaving in a thumping half step groove and intoxicating layers of eastern strings - accomplished stuff! on the flip victoria klewin adds her floating, slightly saturated vocal tones to the galloping mysticism of >find me<.

the dawn ep is the debut release of markey alias sander markey. who recently settled down in berlin, after he was living and working as dj and producer in gent, belgium. now he comes up with four really playful tracks. here he shows his affection for funky grooves and soulful voices. with support from mz. sunday luv, who gave her voice for a freaky intermezzo on dawn, the ep starts offensively. the repetitive groove and the marching 303 bass drum toped with a dark demanding voice have a mystic massage. as contradiction to it you hear a charming dirty string ensemble and an odd delayed snare crushing the monotony. spring break as well as in the shade, the last made in coop with robyns alias yannick robyns, have definitely the warmer funky attitude. playing around with a bobby mcferrin vocal sample and bringing out the soul. facing the clouds is closing the ep as rather melodic and atmospheric track.

next michel cleis masterpiece , this time on dj kozes pampa records... >mir a nero< begins with a steady, upbeat kick underlying a simple piano arpeggio - like if philip glass make dance music - but then some accents of vibrant hand percussion loosen up the vibe, soon progressing into rhythmic layers that cause the energy to swell. by the 4-minute mark, a subtle, buzzing synth permeates the background, contrasting the tracks overall organic feel, leading into the playful piano chords and colombian vocal hook. simply put, this is latin house with that anomalous pampa records swagger, drenched with flavor like sangria-soaked mango. flip that baby over and you get >amaranthus<, named after the famed flower that represents immortality. this piece stands as a color-negative of >mir a nero<, an unwavering stomp with just shadows of the piano sample heard earlier. freeze-dried rather than sun-ripened, >amaranthus< is a dubby, more technofied counterpart to the a-side, crafted for deeper and darker moments on the dancefloor.

grasscuts debut >1 inch: 1/2 mile< was named electronica album of the month in mojo magazine and was one of the sunday telegraphs top 10 pop cds of 2010. if that album featured a mix of songcraft and electronica, follow-up unearth tips the balance towards songs. its a more vocal record and both the legendary robert wyatt and gazelle twin contribute – alongside main vocals from grasscut composer, producer and multi-instrumentalist andrew phillips. unearth proves once again that phillips is a songwriter of note, truly traversing any notion of genre with seeming ease and considerable depth. grasscuts marcus o dair features on double bass, seb rochford of polar bear guests on drums.

big new release from loco dices prodical son!! dj support from loco dice, franck roger, subb-an, dusky, jordan peak,.. tsubas favourite mexican, hector makes a welcome return to the label with the hide ep, his most accomplished work to date. the original of hide shows hector at his most melodic with live percussion and keys working in perfect harmony. b side follow the leader features a killer vocal and has been a secret weapon of desolat boss loco dice for several months.

the second in the series of 12 inch samplers featuring present and future classics from brooklyns monthly party, life, spring sampler 2012 #2 picks up where the first installment left off, deeper into the rabbits hole of the all-night underground parties at the infamous dope jams. curators and residents slow to speak offer here 3 remixes and re-imaginings of some of the finest technoid sleaze, haunted vocal anthemics and zulu-nation-endorsed hip-house perfection. spring sampler 2012 #2 is a snapshot of a life party at its most elevated, after the initiation and immersion is complete, the core party people convened, the sacramental beverages consumed and the full peak of the party unfolded in its full spectacle. previously, these exclusive versions have remained in the vault for protected and exclusive use by the life residents. made available through these limited samplers, slow to speak opens up for a rare snapshot into the heart and soul of their program—militant musical theses that drive these parties and make them something more special than the typical dance music burial rite.
comes on transparent orange-red, marbled vinyl.

tone control return with house music vocal legend, robert owens for a steppin, bass led mantra for the dance floor. tone control bring in soulful house star, sean mccabe (king st., z records etc) on moog, rhodes and organ to complete starting with me . working the analogue delays, stuck on loop is a dark and serious dubbed out excursion. glaswegian producer, james johnston has been making big waves for vinyl loving, deep house heads recently (recent juno #2, regular top 5) - he turns in a heavy chorded, bumpin dub remix to complete this new single, the 12th release on tone control music.

kyle geiger brings you his third installment on his imprint cubera in a quest to bridge some crucial gaps between house and techno constituents. this time, taking it a little deeper with the use of vocal work from vocalist stefanie jansen for the title track scream, weaving her voice in and out of a strong synth and percussion work out. in the second mix of the a-side, truncate lends his tough, stripped style for his remix of >scream<, providing a welcome contrast to the original. on the other side, >underneath< adjusts the eps sweat dial to 11 with its shit-losing, raw synth hook. the fact that this track even has a sweat dial that goes up to 11 should communicate something really special. the final track step brings more of an stabby, yet scaled back afterhours vibe to round things out, while still carrying enough critical mass to make things a little messy.

around might come as a surprise for many club-heads as noir usually produces club tracks and is now moving into the electronic songs area. however around makes the perfect transition for noir as it refletcs some of his trademark club-sounds mixed with the new melodic and more in-depth electronic sound.coming out on the 16th july , this 12inch vinyl contains two exclusive remixes from subb-an and the murked vocal mix along with the much loved solomon remix which was one of the hit singles of 2011.

one day while sharpening his hip-hop skills, the prince sets up shop in his favorite studio, an oversized king bed in a pile of synthesizers, drum machines and keyboards. an abundance of classic samples overflowing with soulful fills inspired baby prince to record one of his most sensitive vocal messages to date. an ideas man, baby prince struggled to get the mix right and tight. so lonely c swoops in, hits record and lays down the track in one clean shot. ooohwee! i want to squeeze you is born. the pillowtalk boys heard the new noise and accepted remix duties without question. their results, the phat philly remix, is a timeless house version with a powerful vocal addition from sammy d himself. lace up yer raving kicks.

a limited chance for you to get your hands on this achingly-rare panda records track >people hold on<. originally released in 1984, this stylishly classy record feels like undiluted house brought to you from before house even existed! super-tight production skills from wuf tickets james mason pull together a goosebump-inducing bassline, deeply hypnotic synths and tantalising handclaps topped off with earl flints elegantly sexy, meltingly cool vocals to deliver a masterpiece in early 80s nyc groove. backed with a much in-demand killer instrumental version, this record is almost impossible to find out there on the wax market. killer electro house on quality remastered vinyl - an absolute must have. people dont hold on!

years after delivering a remix for booka shade in 2006, shinedoe makes her solo debut on get physical this winter, bringing with her a wonderfully fresh sound in the form of her transcendental ep. she takes us to the tops of mountains and then drags the deepenst waters. light is a deep mix of techno cascades and funk groove. we build up momentum with piano and driving percussion toward a climactic break, then pull you further into the vibe. transcendental brings a treat of dazed synth and organic percussion. a trip into the music brings us to the dark rooms of late night. we are entranced with thick bass and hypnotic repetition throughout the course of the dancefloor friendly track. next we are immediatly entrapped by the muffle of cosmic, under a thick sheet of foggy ambience. vocal cuts stab the air, setting the pace for a sudden bass groove. the track is deep, solid and very detroit.

foolish felix dickinsons superb cynic label with another hot one! cynics latest release features another killer track from l.h.a.s. inc. (jamie read and felix dickinson). analogue synths and vintage drum machines rock along with an infectious old school style reminiscent of the early sounds coming from chicago and new york in the late 80s early 90s. think clubhouse meets nu groove. on the b side phoreski (felixs fellow resident at londons bad passion) delivers a remix that takes the track to another level, darker haunting synths and a robo vocal asking: do you like the way you feel, will you dance with me?

now, a year after he celebrated the success of his lp good morning midnight, niko schwind ups the heat on stil vor talent with the versatile we are the future ep that showcases a specatacular sonic progression while remaining true to what niko does best: melodic house music. on all i want, niko lures you into a deep abyss aided by a straight groove and rapid vocal stutters until a swampy bassline, subtle piano melodies and a promiscuous female voice swallow you to the point of no return. beautifully melancholic, yet floorfriendly, this a1 is bound to leave its mark on international dance floors!

a shuffling mix of acoustic guitar riffs, licks, natural percussion and of course razs well known melancholic vocal lines all come together to generate a country folk feeling of the 60s. a dampened kick drives the energy deep and harmonicas seep into our minds and set our soul on fire. a fresh track for a hot summer day on the lake. acid pauli takes the track and acidizes it by adding, yep, acid lines and a very direct kick. the track gains more of a main time vibe, heightened energy and deeper bass allow this track to hold its own in a variety of set styles. the final mix is an open air anthem delivered from the sorry entertainers m. rux and lotti. using percussion of the same natural flavor and incorporating dirty synth lines, the two produce a heavier mix worthy of both dancefloors and home listening.

calling on a roster of talent that includes the much vaunted luminaries tyree cooper, rick wade and his namesake wilhite, scott grooves, terrence parker and more you know that the vibes & pepper agency expanding operations to include a label means the standard of music will be high. number three in the fledgling wax initiative arrives with the man, the myth, the maverick that is norm talley at the helm for the three track bumper the westside project. talley fans will be all over this one for the chance to grab b side hugger >grove street shuffle< a track that originally featured on the producers uber rare 1997 release for city boy, and the two tracks that complement it find the beatdown brother in fine form. lead track >do what you like< deftly weaves in some expert voodoo ray sampleage amidst a permanently punchy groove whilst >greenfield groove< has talley in looser rhythmic mood, with busy percussion driving through a thick swamp of vocal pressure and ever twisting piano riffs

viewlexx coming back at ya! 6 neo-italo tracks that are dark, intense and haunting. bombastic melodies, spiky arpeggios and masculine beats in the genuine viewlexx quality! produced by kid machine (if anyone has more info on this kid... let us know!), supported and curated by i-f and the intergalactic fm. tip!

spring 2012, in his dark analog moustache records homestudio downtown rotterdam city david vunk made his bowie ep. this energizing ep contains 3 various styled tracks for the dancefloor. on the this side the track forever always a stunning filter house tune with a vocal that goes on and on, a fat party break and rolling low kickdrums topped with some crazy hihat programming. deep deep deep! 45 rpm rolling. on the that side two tracks. a notorious full power hi energy nu-disco/electro track filled with evil strings, catchy melody, tr-808 drums and arp odyssey baseline madness called disco sysex. the b2 track called vroezenpark sounds like it comes straight from hell, a dusty techno track with berlin infleunces, tr-909 drums and a roland jupiter 8 synth. insane and paranoia style. this very limited pressing comes with luxury gatefold fullcolour sleeve, poster and hand numbered, limited copies.

taking inspiration from great early 90s house producers like def mix, & borrowed vocals from a pop singer, delivers an uplifting & soulful synthed out dancefloor burner that keeps the production values of 2012 in the forefront. comes on single-sided whitelabel vinyl.

inspired by the energy, the sunshine and the people on the white isle, olderic returns to bring the ibiza heat to area remote by going loco with the latino loop, letting it flow and widen across spicy rhythms and vocal melodies

ill audio returns to distinctive for his second single with the label, issuing a round of hard hitting power-moves in the form of his 4-track ep, titled >never be the same<. featuring the unequalled vocal talents of skin (skunk anansie) and a huge remix from dnb topboy rollz, this is a startlingly accomplished release from a producer who is at the start of his game.

opening track >what i do< introduces the ep on a poignant note with its sombre keys and emotive vocal flourishes without forsaking any of the force at its fingertips, driven by the bubbling subs and electric midrange. >fall< then sweeps in on a lush bed of glistening keys, soft vocal flourishes and a skipping drum line before crashing back down to earth with waves of warping bass tones blasting through the low end of the track. counterpointed by the soaring synth notes that flicker above, mydas balances the light and dark elements brilliantly.

exercise ones newest ep is the result of happy jam sessions in the studio with a couple of their dear canadian buddies.exercise one have been concentrating on their new all hardware, no computer live show over the past half year - with performances at panorama bar, cabaret and le showcase - and releases on cocoon and their own exone label.

vinyl only ! czr channel zoo recordings from ibz deliver the belearic vibes to us - its time for michael james to introduce the label with some classic pumping vocal house - movin! already the most forward thinking music project ever to hit the island of ibiza, channel zoo was initially an event offering a variety of cutting edge new sounds, provided by the unrivaled underground house and techno record labels of the future. with rapid development from ibiza into hosting channel zoo events at the most prominent clubs in europe featuring only the best artists it was only a matter of time before a serious imprint was established.

spotlight ft. lucy randell - the anthem for the summer. this track is bound to be a soundtrack to many a festival this year. catos grimy rock style track compliments lucys powerful vocal. a definite singalong.
whos cato (spotlight instrumental) - the original instrumental, featured heavily at outlook festival 2011.
frenzy - shows catos 4×4 electro influenced smasher, bound to smash any dancefloor.

frecher tcehhouse mit detroit note und john tejada remix

bacalao & sonnes >dont stop pushin ep< is keeping all its promises with two straight forward club tracks, both filled with soulful vocal lines driven by hard hitting synths. the stunning remix is created by kollektiv ost.

italian dj and producer slok is no stranger to circle music. in 2010 he released his great album rain on circle music after the previous released releases funky finger and freak in 2009. in 2011 he followed up a release on circle music,roccos hard scene incl. a stunning remix by hermanez followed.for his first single in 2012 slok, he invited brothers in crime my favourite robot aka voytek korab, james teej and jared simms from canada to sing the vocals.lately these three guys had a release on life and death and were remixed by art department. on top of this nice package we have subb-an who had a few releases on damian lazarus crosstown rebels or culprit with several hits and finally label mate lopazz from berlins get physical together with his film producer casiocasino.

imperious spanish imprint deep explorer reaches release number 26 with a split ep featuring altered moods malcolm moore alongside long time explorer bjak (real name brian cullen). bjaks two cuts - >rhythm of love< and >purple fire< - are both produced with typically immaculate poise, but its the sultry nature of the latter cut that had everyone at juno hq swooning. malcolm moore meanwhile serves up the swooping chords and rock hard bump of >love (a perilous thing)<, which features an ethereal vocal contribution from debra jones-davis, who talks about the dangers of the l-word while the lush arrangement works deep below in the mix. jenifa mayanja rounds off a consummate package with a shuffling, latin-influenced remix of >love (a perilous thing)<.

big with m.a.n.d.y.,tiefschwarz , pan-pot, butch,rodriguez jr, sasse, kiki, deepchild, marco resmann, catz n dogz, coyu, martin eyerer, chloe , cormac & benoit c.. kai & holger return from their stateside adventures with matthew pervert on get physical. ‘matthew pervert’ is a slow buidling groove attack. saucy percussion sets the mood for a deep pumping bass under chords. a sassy vocal adds to the analogue ambience, worked in a coat of reverb and doused with delay. a sexy sound for steamy nights on the neverending dancefloor sessions smash tv are known for. the second track, ‘please’, starts immediately with a deep horn falling under kicks. a touch of techno emerges from the darkness and drives us insane. followed by deep vocal lines and foggy chords to melt us at the core. this is your evening high, the point when you float away and the music takes you to a place beyond the dancefloor. looking forward to hearing this in the next set from the boys.

with its 58th announcement, diynamic presents a three track various artists ep which will surely make every club and open air go insane. nobody else is a collaboration between netherlands export karmon and ntfo, who already appears on the various artist ep and on h.o.s.h.s latest ep. nobody else already got huge attention by the club scene. with its bouncy baseline and its driving hats highlighted by spherically playful notes nobody else immediately casts a spell over you. with his second contribution, karmon creates a wonderful interaction between good and evil. with the funky brass synth on top of a pumping baseline wowshit is a worthy employer name for this ep and a proof for of what 24 year old karmon is capable of. on the b side betoko delivers a melodic dance tune.raining again convinces by a deep male vocal with is supported by dramatic organs and a bouncy baseline. to be honest, the meaning of the hook is familiar to everyone

our little dutch sun god onno knows best how to make the kids shine, and as expected, hes put together a breakwater just in time for beach season: whatever makes you happy glides on on the crest of the a1 groove with a heavy-duty surfboard. its laconic vocal work and dynamic drum rolls are echoed in the remix by nicola jah at coordinates b2. this italian producer dives into stiller waters, which of course run deep down into the vibrant ocean of sound. for the b1 onno provides similarly strong dancing material, shooting pool on the sundeck of his boat and knocking “8ball” into the hole of victory. finally, magit cacoon, our latest roster addition and the first woman on deck of the uy vessel, cruises via the digital route for her debut, an utterly deep remix of whatever makes you happy with bass that sets uy061s sails toward a blissful ending to the voyage

with the strains of re-ups freedom still ringing loud in our ears, dissonant prepare to unleash their first slice of summer goodness, a new two track selection from leix. the valencia born, barcelona resident has been exciting dancefloors of his home nation for the past fifteen years, regularly sharing the decks with the worlds leading spinners. with a preoccupation with fusing styles and sounds, a trait that is obvious in his own productions, leix ensures that his own work remains consistently fresh. the novo music boss own productions have already found the support of many of the biggest names in the industry and have seen their release on labels including fumakilla, monza, barraca music, inmotion music, melisma and more. his akane ep is leixs first excursion on dissonant and what a way to kick things off. lead cut akane is as perfect a fit as they come. a locked tight groove, devilish kick and a bubbling acid line that tricks us throughout with its undeviating trajectory. on the flip dumnezeu continues in similar fashion. an understated bassline pulses throughout, as a snare rasps and hats glisten a spoken vocal preaches. the gospel of the dancefloor.

detroits monty luke delivers full flavor musics seventeenth release, the bomb on bomb ep. other than being carl craigs right-hand man at planet e communications, monty luke has been building quite the reputation lately with solid releases on labels like planet e, mothership, and his own black catalogue imprint. the bomb on bomb ep consists of three originals that cross the boundaries from acid house to funky techno to four-on-the-floor downtempo. >in love with a dancer< is the eps total driver, with meaty synth stabs, teasing builds, and cleverly processed vocal treatments that scatter though the mix. >bomb on bomb< is a sly combination of classic-sounding acid house keys, pulsating rhythms, and a soulful vocal going on about a sexy lady. >13th city stranger< is a sleek, downtempo house track and one of the first things monty recorded after moving to detroit from san francisco. solid stuff all around from monty luke and full flavor music.